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Search Results: music
Slash (musician)From Wikipedia, the free encyclopedia| Slash |
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| | Background information |
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| Birth name | Saul Hudson |
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| Born | July 23, 1965 (age 44) Stoke-on-Trent, England |
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| Origin | Los Angeles, California, United States |
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| Genres | Hard rock, blues-rock, heavy metal[1] |
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| Occupations | Musician, songwriter, record producer |
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| Instruments | Guitar, backing vocals, bass,banjo |
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| Years active | 1983–present |
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| Labels | UZI Suicide, Geffen, Koch, RCA |
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| Website | www.slashonline.com |
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| Notable instruments |
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Gibson Les Paul B.C. Rich Mockingbird |
Saul Hudson (born 23 July 1965), better known by his stage name Slash, is an English musician of biracial descent. Originally from Stoke-on-Trent, he moved to Los Angeles, California as a child, where he began his career in the music industry. Slash is arguably best-known as the former lead guitarist of hard rock band Guns N' Roses, with whom he performed and recorded between 1985 and 1996. He later formed the eponymous Slash's Snakepit and co-founded Velvet Revolver with his former bandmates Duff McKagan and Matt Sorum. His debut solo album, Slash & Friends, is due to be released in 2010. In August 2009, Time Magazine named him #2 on its list of the 10 Best Electric Guitar Players of All-Time.[2] Early lifeHis mother, Ola Hudson, was born in Tenessee of African-American descent. She worked as a costume designer for David Bowie among many other actors and musicians, and his father, Anthony Hudson, was an artist who created album covers for musicians such as Neil Young and Joni Mitchell.[3] Slash was raised in the city of Stoke-on-Trent, Staffordshire, until the age of 11, when his parents relocated the family to Los Angeles, California. His parents separated and he lived primarily with his mother. He was given the nickname "Slash" by family friend Seymour Cassel because he was "always in a hurry, zipping around from one thing to another".[4][5] As a young boy, Slash was influenced by a musical school teacher: After deciding to form a band with friend Steven Adler, Slash decided to pick up the bass guitar as Adler had declared himself lead guitarist. Slash stopped in at Fairfax Music School and told the receptionist he wanted to play the bass, and at that time met his teacher Robert Wolin. Wolin told him that in order to learn he would need a bass of his own. Slash went home and asked his grandmother and was given a worn-out, single stringed flamenco guitar. After hearing Wolin play "Brown Sugar" by ear, Slash realized that the guitar was his calling. He subsequently dropped out of high school to focus on music. In a Rolling Stonemagazine article, he remarked: My big awakening happened when I was fourteen. I'd been trying to get into this older girl's pants for a while, and she finally let me come over to her house. We hung out, smoked some pot and listened to Aerosmith's Rocks. It hit me like a fucking ton of bricks. I sat there listening to it over and over, and totally blew off this girl. I remember riding my bike back to my grandma's house knowing that my life had changed. Now I identified with something. [7]
CareerEarly careerIn 1983, Slash formed the band Road Crew, a Motörhead tribute band (named for the Motörhead song We Are The Road Crew) with childhood friend Steven Adler. He placed an advertisement in a newspaper for abassist, and received a response from Duff McKagan. When Road Crew disbanded, Slash joined a local band known as Black Sheep. Headed by Willie Bass, the band shared an agent with another new group known as Hollywood Rose. In 1984, both bands opened for Christian metal band Stryper. After the show, Slash and lead singer Axl Rose were introduced to one another by a friend. The two quickly became friends, and several months later, Slash and Steven Adler were invited to join with Axl Rose, Duff McKagan and Izzy Stradlin as the band, Guns N' Roses. Guns N' Roses and mainstream successMain article: Guns N' RosesGuns N' Roses toured bars and opened for larger acts throughout 1985 and 1986. It was during this period that they wrote most of their classic material, including "Welcome to the Jungle", "Sweet Child o' Mine", and "Paradise City". During this time, they were scouted by several major record labels, and signed with Geffen and they were tagged the "Most Dangerous Band In The World". In 1988, Slash remarked: For some strange reason, Guns N' Roses is like the catalyst for controversy, even before we had any kind of record deal. [8]
With 28 million copies sold (18 million just in the United States), Appetite for Destruction is the best-selling debut album of all time worldwide and in the US[9][10]. By 1988, Guns N' Roses scored its first #1 hit with "Sweet Child o' Mine," a song spearheaded by Slash's riff and guitar solo. In 1988, Guns N' Roses released G N' R Lies. Though this album only had eight tracks (four of which had already been released), it sold over 5 million copies. In 1991, after a four-year hiatus, the band released Use Your Illusion I and Use Your Illusion II. That year, Guns N' Roses embarked on the 28-month Use Your Illusion tour. Upon completion of the tour, Slash was naturalized, becoming an American citizen. In the mid-'90s, Slash wrote several songs for what would have become Guns N' Roses' follow-up album to Use Your Illusion I and II. Rose rejected the material, leading Slash to form Slash's Snakepit, a side-project that saw support from Matt Sorum, Gilby Clarke, Dizzy Reed, Mike Inez, and Eric Dover. The band recorded Slash's material and released It's Five O'Clock Somewhere in 1995. Critically, the album was praised for ignoring the conventions of grunge and alternative music. It also fared well on the charts, eventually selling over 1.2 million copies in the United States with little promotion from Geffen Records. Side projects and session workAfter his departure from Guns N' Roses, Slash focused on his side-project, The Snakepit, playing a few tour dates before disbanding the group in 1998. Over the next decade, Slash became an in-demand session musician, recording music with the likes of Alice Cooper, Sammy Hagar, Insane Clown Posse, Ronnie Wood, Bad Company, Cheap Trick, Ray Charles and Stevie Wonder. In 1990, Slash was contacted by Michael Jackson to work on his upcoming album, Dangerous. Slash played guitar on two hit singles, "Black or White" and "Give In to Me"; he also appeared in the music video of the latter. On several occasions, Slash appeared onstage with Jackson, performing "Black or White" during the Dangerous World Tour. Slash and Jackson appeared together at the MTV Video Music Awards of 1992 and1995.[11] Slash played guitar on "D.S.", a controversial song from the HIStory album of 1995 and "Morphine" from the 1997 remix album Blood on the Dance Floor.[12][13] In 2001, Slash joined Jackson on stage at theMichael Jackson: 30th Anniversary Special playing guitar while Jackson performed his songs, "Black or White" and "Beat It". Slash also plays the guitar solo for the Michael Jackson song "Privacy", of the Invinciblealbum, right after Michael screams: "Slash!", Michael also does this right before Slash's solo on D.S. In 1995, Quentin Tarantino asked Slash to contribute some songs to the soundtrack of his adaptation of the film Jackie Brown. Several Snakepit compositions can be heard throughout the film. In 1996, Slash collaborated with Marta Sánchez to record the flamenco-inspired song, "Obsession-Confession" for the Curdled soundtrack. The song was received well by Smooth Jazz radio stations. Later that year, Slash also played live with Alice Cooper at Sammy Hagar's club Cabo Wabo in Cabo San Lucas, Mexico. The show was recorded and released the following year as A Fistful of Alice. In 1997, Slash (alongside the late Ol' Dirty Bastard and hit alternative rock band Fishbone) appeared on BLACKstreet's rock remix version of their hit single "Fix". In 2003, he participated in the Yardbirds' comeback record Birdland, released on the Favored Nations label. He played lead guitar in the track "Over, Under, Sideways, Down". In early 2003, Slash also made an appearance at a rally to protest the coming War in Iraqcalled "Peace on the Beach", performing the song "Imagine" by John Lennon. Ed Kowalczyk provided vocals during this performance. In 2000, he chose to regroup Slash's Snakepit to release his second solo effort, titled Ain't Life Grand. The album did well on the charts, reaching platinum status. To promote it further, Slash embarked on an extensive world tour with AC/DC in the summer of 2000. In 2002, he reunited with Duff McKagan and Matt Sorum for a benefit/tribute concert for Randy Castillo. Realizing they still had the chemistry of their days in Guns N' Roses, they decided to form a new band together. The band that featured Slash, McKagan, and Sorum also featured former Buckcherry members Keith Nelson and Josh Todd. Later Duff put out a statement that Josh and Keith didn't quite fit with the band, and they added Dave Kushner as rhythm guitar and, after a long search, Stone Temple Pilots singer Scott Weiland. In 2006, Slash performed a guest spot on keyboardist Derek Sherinian's solo album Blood of the Snake covering the 1970 Mungo Jerry hit single "In the Summertime", also featuring Billy Idol on vocals. A video was also made featuring Slash, Billy, and Derek for this song. Velvet Revolver and the future Slash with Velvet Revolver in 2004 Velvet Revolver began as "The Project", a venture by Slash, Duff McKagan and Matt Sorum to find a new lead singer. On rhythm guitar, they initially worked with Izzy Stradlin, and they were offered to open for The Rolling Stones but Slash, Duff and Matt wanted to have a lead singer; after this Izzy became less involved. They would find their second guitarist in the form of Dave Kushner, who had previously played with McKagan in "Loaded" prior to this project. For many months, the four of them listened to demo tapes of potential lead singers, a monotonous process (documented by VH1). After many months, Slash and the others were almost ready to give up. However, Stone Temple Pilots had recently imploded, allowing lead singer Scott Weiland to volunteer to record a song with the band. Realizing there was chemistry between each member, Weiland officially joined the band in 2003.[citation needed] Velvet Revolver played several concerts in the summer of that year and released their first single, "Set Me Free" as part of the soundtrack for The Hulk. In June 2004, they released their first studio album, Contraband. A 19-month long tour ensued, as the album went double platinum and re-established Slash as a mainstream performer. After the tour concluded, he and his bandmates took a lengthy break before beginning work on their second album. In July 2007, Velvet Revolver released the critically acclaimed Libertad, a follow-up to their multi-platinum debut. Following their second studio album, Velvet Revolver also began a second tour. On March 20, 2008 Weiland announced to their audience that it would be Velvet Revolver's final tour. Matt Sorum posted a message on his website the next day discussing the band's situation and said, "You could tell who was unhappy last night" and "some people in this business don't realize how great of a life they have".[14] Weiland shot back by telling Blabbermouth.net, "Well, first of all, the state of my family affairs is really none of his business, since he is too immature to have a real relationship, let alone children. So don't attempt to stand in a man's shoes when you haven't walked his path." On April 1, 2008 Weiland officially split from Velvet Revolver. On May 31, 2006, Slash was joined by Rob Zombie on vocals, another former Guns N' Roses axeman Gilby Clarke on rhythm guitar, Scott Ian of Anthrax on bass, Mötley Crüe drummer Tommy Lee on drums, and surprise guest Ace Frehley of Kiss for a rendition of God of Thunder. The occasion was a one-time supergroup tribute to Kiss for the VH1 Rock Honors Award Show. Slash is a playable character in the video game Guitar Hero III: Legends of Rock, and his likeness appears on the game cover. Slash did motion capture with RedOctane to record his movements for the game. Beating Slash in a one-on-one competition (playing an original composition he recorded solely for the game), unlocks him as a playable character. Beating him in this challenge leads to the player and Slash playing the master track of "Welcome to the Jungle" as an encore song.[15][16] In 2007, Slash performed with Paulina Rubio on the hit Latin single "Nada Puede Cambiarme". On March 12, 2007. Slash and Velvet Revolver paid tribute to Van Halen by inducting the band into the Rock N' Roll hall of fame. The band also played two covers. Slash appears on the cover of Guitar World for their July 2007 issue, the "20 year salute to Appetite for Destruction", entitled "The Cat In The Hat Is Back". It pictures Slash holding his guitar with a snake crawling up the neck. Slash made numerous contributions to The Heroin Diaries: A Year in the Life of a Shattered Rock Star by Nikki Sixx, published September 18, 2007.[17] He also played guitar with them at Crüe Fest. An autobiography titled simply Slash was published on October 30, 2007.[18] It was co-written with Anthony Bozza. Slash will also be appearing in the HBO book and Documentary The Black List Vol. 1, he can be seen in a portrait on the cover of the book. It was announced by Kerrang! Magazine that Slash was going to appear on Ace Frehley's next solo album.[19] Slash planned to record a solo album after the third Velvet Revolver album, but after the departure of singer Scott Weiland and time-consuming searches for a new singer for the band, he decided to record a solo album first. On September 30, 2008, he began recording demos for the upcoming album. Slash was quoted saying that the work alone in the studio on the solo album was "cathartic", and that he really enjoyed working alone in the studio. He also said he plans to bring a different singer for each song on the album, and that he has a list of guests to appear on the album, and most of them are already committed, though he refused to tell who are those guests. Rumored singers for the project include Slash's close friends Lenny Kravitz,Sebastian Bach, Alice Cooper and Vince Neil as well as his past Guns N' Roses pals, Izzy Stradlin and Duff McKagan.[20] According to Slash's wife during an interview with Rockerrazzi.com, both Ozzy Osbourne and Fergie will make appearances on Slash's upcoming solo album, saying, "It's going to be Slash and friends, with everyone from Ozzy [Osbourne] to Fergie."[21] Other musicians set to appear on the release include Josh Freese, Chris Chaney, Travis Barker, M. Shadows and Jason Bonham.[22] In 2009, he played the guitar parts on the film score of The Wrestler, composed by Clint Mansell. On June 30, 2009, Slash performed his first solo show, at the Quart Festival in Norway. His band was comprised of John 5 (Rob Zombie, Marilyn Manson) and Franky Perez (Scars On Broadway) on guitars, Chris Chaney (Jane's Addiction) on bass, Jason Bonham (Led Zeppelin, Foreigner) on drums and Teddy Andreadis on keyboards. Special guests included Ozzy Osbourne, Fergie and Ron Wood.[23] Television appearancesSlash appeared as a recurring caricature of himself in Robert Evans' animated television series Kid Notorious which aired in 2003 on Comedy Central. As in real life, Slash is Evans' close friend and next-door neighbor.[24] He appeared as the guest mentor for rock n roll week of American Idol (Season 8) on May 5, 2009.[25]. He has also had spots on the Drew Carey Show and South Park Personal lifeIn 1990, a heavy metal video called "Hard N' Heavy" was released containing music, concert footage and interviews. The video included Slash and McKagan appearing with the band Great White at a "Children of the Night" Benefit concert in LA for abused homeless children, the performance helped raise money for housing to aid the underprivileged.[26] He also performed at an anti-Iraq War festival in 2003.[citation needed] Slash is married to Perla Ferrar, with whom he has two sons, London Emilio and Cash Anthony.[27] The family lives in Los Angeles. Feud with Axl RoseIn 2007, Slash admitted to going to Rose's home with the intention to settle a long-standing legal dispute and make peace with his former band mate. Slash elaborated on the incident in his autobiography, claiming that what actually occurred was that he simply went to Rose's house while intoxicated and left a note asking Rose to contact him to settle a pending lawsuit. He also added that he had not actually spoken to Rose in person since leaving Guns N' Roses in 1996.[28] Slash further stated that incident's publicity created a rift in Velvet Revolver; as his bandmates were unsure of what Slash had actually done and Slash had confronted Weiland over his scathing reply to Rose, feeling that Weiland did not have the "right" to criticize Rose, not actually knowing him.[29] In March 2009, Slash responded to an interview in which Rose referred to him as "a cancer", saying that "it doesn't really affect me at all. The fact that he has anything to say at all it's like 'Whatever, dude'."[30]
m Wikipedia, the free encyclopedia| Metallica |
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| | Background information |
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| Origin | Los Angeles, California, United States |
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| Genres | Heavy metal, thrash metal, hard rock, speed metal |
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| Years active | Since 1981 |
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| Labels | Warner Bros., Elektra, Vertigo,Megaforce, Sony (Japan) |
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| Associated acts | Megadeth, Echobrain, Spastik Children, Leather Charm, Exodus |
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| Website | www.metallica.com |
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| Members |
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James Hetfield Lars Ulrich Kirk Hammett Robert Trujillo | | Former members |
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Ron McGovney Dave Mustaine Cliff Burton Jason Newsted |
Metallica /məˈtælɨkə/ is an American heavy metal band from Los Angeles, California, formed in 1981. Founded when drummer Lars Ulrich posted an advertisement in a local newspaper, Metallica's line-up has primarily consisted of Ulrich, rhythm guitarist and vocalist James Hetfield, and lead guitarist Kirk Hammett, while going through a number of bassists. Currently, the spot is held by Robert Trujillo. Metallica's early releases included fast tempos, instrumentals, and aggressive musicianship that placed them as one of the "big four" of the thrash metal subgenre alongside Slayer, Megadeth, and Anthrax during the genre's development into a popular style.[1] The band earned a growing fan base in the underground musiccommunity and critical acclaim, with the 1986 release Master of Puppets described as one of the most influential and "heavy" thrash metal albums. The band achieved substantial commercial success with Metallica (1991), which debuted at number one on the Billboard 200. With this release the band expanded its musical direction resulting in an album that appealed to a more mainstream audience. In 2000, Metallica was among several artists who filed a lawsuit against Napster for sharing the band's copyright-protected material for free without the band members' consent.[2] A settlement was reached, and Napster became a pay-to-use service. Despite reaching number one on the Billboard 200, the release of St. Anger alienated many fans with the exclusion of guitar solos and the "steel-sounding" snare drum. A film titled Some Kind of Monster documented the recording process of St. Anger. Metallica has released nine studio albums, two live albums, two EPs, twenty-four music videos, and forty-five singles. The band has won nine Grammy Awards, and has had five consecutive albums debut at number one on the Billboard 200, making Metallica the only band, other than the Dave Matthews Band, to do so.[3] The band's 1991 album, Metallica, has sold over 15 million copies in the United States, and 22 million copies worldwide, which makes it the 25th-highest-selling album in the country.[4] The band has sold an estimated 100 million records worldwide as of the release of their latest album, Death Magnetic. As of September 2008, Metallica is the fourth highest-selling music artist since the SoundScan era began tracking sales on May 25, 1991, selling a total of 51,136,000 albums in the United States alone.[5] Early years (1981–1983)History
Metallica was formed in Los Angeles, California, in early 1981 when drummer Lars Ulrich placed an advertisement in a Los Angeles newspaper—The Recycler—which read "Drummer looking for other metal musicians to jam with Tygers of Pan Tang, Diamond Head and Iron Maiden."[6] Guitarists James Hetfield and Hugh Tanner of Leather Charm answered the advertisement. Although he had not formed a band, Ulrich asked Metal Blade Records founder Brian Slagel if he could record a song for the label's upcoming compilation Metal Massacre. Slagel accepted, and Ulrich recruited Hetfield to sing and play rhythm guitar.[6] Ulrich talked to his friend Ron Quintana, who was brainstorming names for a fanzine. Quintana had proposed the names Metal Mania and Metallica. Ulrich used Metallica for the name of his band. A second advertisement was placed in The Recycler for a position as lead guitarist. Dave Mustaine answered, and, after seeing his expensive guitar equipment, Ulrich and Hetfield recruited him. In early 1982, Metallica recorded its first original song "Hit the Lights" for the Metal Massacre I compilation. Hetfield played bass on the song and Lloyd Grant was credited with a guitar solo.[6] Released on June 14, 1982, early pressings ofMetal Massacre I listed the band incorrectly as "Mettallica". Although angered by the error, Metallica managed to create enough "buzz" with the song and the band played its first live show on March 14, 1982, atRadio City in Anaheim, California with newly recruited bassist Ron McGovney.[7] Metallica recorded its first demo, Power Metal, a name inspired by Quintana's early business cards in early 1982. In the fall of 1982, Ulrich and Hetfield attended a show at the nightclub Whisky a Go Go which featured bassist Cliff Burton in a band called Trauma. The two were "blown away" by Burton's use of a wah-wah pedal and asked him to join Metallica. Hetfield and Mustaine wanted McGovney out as they thought that he "didn't contribute anything, he just followed."[8] Although Burton initially declined the offer, by the end of the year he accepted on the condition the band move to El Cerrito in the San Francisco Bay Area. Metallica's first live performance with Burton was at the nightclub The Stone in March 1983, and the first recording to feature Burton was the 1983 Megaforce demo.[8] Metallica was ready to record its debut album, but when Metal Blade was unable to cover the additional cost, the band began looking for other options. Concert promoter Johnny "Z" Zazula, who had heard the 1982No Life 'til Leather demo, offered to broker a record deal with Metallica and New York City-based record labels. After receiving no interest from various record labels, Zazula borrowed the money to cover the record's recording budget and signed Metallica to his own label, Megaforce Records.[9] Band members decided to kick Mustaine out of the band due to drug and alcohol abuse, and violent behavior.[10] Exodus guitarist Kirk Hammett flew in to replace Mustaine the same afternoon. Metallica's first show with Hammett was on April 16, 1983, at the nightclub The Showplace in Dover, New Jersey.[8] Mustaine, who went on to found Megadeth, has expressed his dislike for Hammett in interviews. He said Hammett "stole my job."[11] Mustaine was "pissed off" because he believes Hammett became popular by playing the guitar leads that Mustaine wrote.[12] In a 1985 interview with Metal Forces, Mustaine slammed Hammett saying, "it's real funny how Kirk Hammett ripped off every lead break I'd played on that No Life 'til Leather tape and got voted No. 1 guitarist in your magazine."[13] On Megadeth's 1985 debut album Killing Is My Business... and Business Is Good!, Mustaine included the song "Mechanix", which Metallica renamed as "The Four Horsemen" on Kill 'Em All. Mustaine said he did this to "straighten Metallica up", as Metallica referred to Mustaine as a drunk and said he could not play guitar.[13] Kill 'Em All and Ride the Lightning (1983–1984)In 1983, Metallica traveled to Rochester, New York to record its first album, Metal up Your Ass, with production duties handled by Paul Curcio. Due to conflicts with the band's record label and the distributors' refusal to release an album with that name, it was renamed Kill 'Em All. Released on Megaforce Records in the United States and Music for Nations in Europe, the album peaked on the Billboard 200 at number 120,[14] and although the album was not initially a financial success, it earned Metallica a growing fan base in the underground metal scene. The band embarked on the Kill 'Em All For One tour with Raven to support the release.[15] In February 1984, Metallica supported Venom on the Seven Dates of Hell tour, where they performed in front of 7,000 people at the Aardschok Festival in Zwolle, Netherlands.[16] Metallica recorded its second studio album, Ride the Lightning, at Sweet Silence Studios in Copenhagen, Denmark. Released in August 1984, the album peaked at number 100 on the Billboard 200.[14] A French printing press mistakenly printed green covers for the album, which are now considered collectors' items. Other songs on the album include "For Whom the Bell Tolls", "Fade to Black", "Creeping Death" (which tells the biblical story of the Hebrews' exodus from slavery in Egypt, focusing on the various plagues that were visited on the Egyptians), and the instrumental "The Call of Ktulu". Mustaine received a writing credit for "Ride the Lightning" and "The Call of Ktulu".[16] Master of Puppets (1984–1986)Elektra Records A&R director Michael Alago, and co-founder of Q-Prime Management Cliff Burnstein, attended a September 1984 Metallica concert. Impressed with what they saw, they signed Metallica to Elektra Records and made the band a client of Q-Prime Management.[17] Metallica's burgeoning success was such that the band's British label Music for Nations issued a limited edition Creeping Death EP, which sold 40,000 copies as an import in the U.S. Two of the three songs on the record (cover versions of Diamond Head's "Am I Evil?", and Blitzkrieg's "Blitzkrieg") appeared on the 1989 Elektra reissue of Kill 'Em All.[18] Metallica embarked on its first major European tour with Tank to an average crowd of 1,300. Returning to the U.S. marked a tour co-headlining with W.A.S.P. and Armored Saint supporting. Metallica played its largest show at the Monsters of Rock festival on August 17, 1985, with Bon Jovi and Ratt at Donington Park in England, playing in front of 70,000 people. A show in Oakland, California, at the Day on the Green festival saw the band play in front of a crowd of 60,000.[17] Metallica's third studio album, Master of Puppets was recorded at Sweet Silence Studios and was released in March 1986. The album peaked at number 29 on the Billboard 200, and spent 72 weeks on the chart.[19]The album was the band's first to be certified gold on November 4, 1986, and was certified six times platinum in 2003.[4] Steve Huey of Allmusic considered the album "the band's greatest achievement".[20] Following the release of the album, Metallica supported Ozzy Osbourne for a United States tour.[17] Hetfield broke his wrist skateboarding down a hill and continued the tour performing vocals, with guitar technician John Marshall playing rhythm guitar.[21] Burton's death and Garage Days Re-Revisited (1986–1987)On September 27, 1986, during the European leg of Metallica's Damage Inc. tour, members drew cards to see which bunk of the tour bus they would sleep in. Burton won and chose to sleep in Hammett's bunk. Around dawn near Dörarp, Sweden, the bus driver lost control and skidded, which caused the bus to flip several times. Ulrich, Hammett, and Hetfield sustained no serious injuries; however, bassist Burton was pinned under the bus and was killed. Hetfield recalls, "I saw the bus lying right on him. I saw his legs sticking out. I freaked. The bus driver, I recall, was trying to yank the blanket out from under him to use for other people. I just went, 'Don't fucking do that!' I already wanted to kill the guy."[21] Burton's death left Metallica's future in doubt. The three remaining members decided that Burton would want them to carry on, and with the Burton family's blessings, the band sought a replacement.[22] Roughly 40 people tried out for auditions including Hammett's childhood friend Les Claypool of Primus, Troy Gregory of Prong, and Jason Newsted, formerly of Flotsam and Jetsam. Newsted learned Metallica's entire setlist, and after the audition Metallica invited him to Tommy's Joynt in San Francisco. Hetfield, Ulrich, and Hammett decided that Newsted was the one to replace Burton, and Newsted's first live performance with Metallica was at the Country Club in Reseda, California. The members took it on themselves to "initiate" Newsted by tricking him into eating a ball of wasabi.[22] In March 1987, Hetfield broke his wrist a second time skateboarding. Guitar technician Marshall returned playing rhythm guitar, but the injury forced the band to cancel a Saturday Night Live appearance. Metallica finished its tour in the early months of 1987, and in August 1987 an all-covers EP titled The $5.98 E.P.: Garage Days Re-Revisited was released. The EP was recorded in an effort to utilize the band's newly constructed recording studio, test out the talents of Newsted, and to relieve grief and stress following the death of Burton. A video titled Cliff 'Em All was released in 1987 commemorating Burton's three years in Metallica. Footage included bass solos, home videos, and pictures.[23] …And Justice for All (1988–1990)…And Justice for All, the group's first studio album since Burton's death, was released in 1988. The album was a commercial success, peaking at number six on the Billboard 200, the band's first album to enter the top 10.[14] The album was certified platinum nine weeks after its release.[24] Newsted's bass was purposely turned down on the album as a part of the continuous "hazing" he received, and his musical ideas were ignored (However, he did receive a writing credit on track one, "Blackened").[25] There were complaints with the production; namely, Steve Huey of Allmusic noted Ulrich's drums were clicking more than thudding, and the guitars "buzz thinly".[26] The Damaged Justice tour followed to promote the album.[27] In 1989, Metallica received its first Grammy Award nomination for …And Justice for All, in the new Best Hard Rock/Metal Performance Vocal or Instrument category. Metallica was the favorite to win; however, the award was given to Jethro Tull for the album Crest of a Knave.[28] The result generated controversy among fans and the press, as Metallica was standing off-stage waiting to receive the award after performing the song "One". Jethro Tull had been advised by its manager not to attend the ceremony as he was expecting Metallica to win.[28] The award was named in Entertainment Weekly's "Grammy's 10 Biggest Upsets".[29] Following the release of …And Justice for All, Metallica released its debut music video for the song "One". The band performed the song in an abandoned warehouse, and footage was remixed with the film, Johnny Got His Gun. Rather than organize an ongoing licensing deal, Metallica purchased the rights to the film. The remixed video was submitted to MTV, with the alternate performance-only version held back in the event that MTV banned the remix version. MTV accepted the remix version, and the video was viewers' first exposure to Metallica. It was voted number 38 in 1999 when MTV aired its "Top 100 Videos of All Time" countdown,[30] and was featured in the network's 25th Anniversary edition of ADD Video, which showcased the most popular videos on MTV in the last 25 years.[31] "Metallica" (1990–1993)In October 1990, Metallica entered One on One studio in North Hollywood to record its next album. Bob Rock, who had worked with the bands The Cult, Bon Jovi, and Mötley Crüe, was hired as producer. Metallica(also known as "The Black Album") was remixed three times, cost $1 million, and ended three marriages.[32] Although the release was stalled until 1991, Metallica debuted at number one on the Billboard 200 with shipments exceeding 650,000 units in its first week.[33] The album was responsible for bringing Metallica to the attention of the mainstream and has been certified 15 times platinum in the United States, which makes it the 25th highest-selling album in the country.[34] The making of Metallica and the following tour was documented in A Year and a Half in the Life of Metallica. Dubbed the Wherever We May Roam Tour, it lasted 14 months and included dates in the United States, Japan, and the UK.[32] On August 8, 1992, during the co-headlining GNR-Metallica Stadium Tour with Guns N' Roses, Hetfield suffered second and third degree burns to his arms, face, hands, and legs. There was confusion with the newpyrotechnics setup, which resulted with Hetfield walking into a 12-foot (3.7 m) flame during "Fade to Black". Newsted recalls Hetfield's skin was "bubbling like on The Toxic Avenger".[35] Guitar technician John Marshall, who had previously filled in on rhythm guitar and was now playing in Metal Church, replaced Hetfield for the remainder of the tour as Hetfield was unable to play guitar, although he was able to sing. The band's first box set was released in November 1993 called Live Shit: Binge & Purge. The collection contained three live CDs, three home videos, and a book filled with riders and letters.[35] Load, ReLoad, Garage Inc., and S&M (1994–1999)After almost three years of touring to support Metallica, including a headlining performance at Woodstock '94, Metallica returned to the studio to write and record its sixth studio album. The band took a break in the summer of 1995 and played three outdoor shows which included headlining Donington Park in the United Kingdom, supported by Slayer, Skid Row, Slash's Snakepit, Therapy?, and Corrosion of Conformity. The short tour was titled Escape From The Studio '95. The band spent roughly one year writing and recording new songs, resulting in the release of Load in 1996, which entered the Billboard 200 and ARIA Charts at number one, marking the band's second number one.[14] The cover of Load was created by Andres Serrano, and was called Blood and Semen III. Serrano pressed a mixture of his own semen and bovine blood between sheets of plexiglass.[36] The release marked a change in musical direction for the band and a new look with band members receiving haircuts. Metallica headlined the alternative rock festival Lollapalooza in the summer of 1996.[25][37] During early production of the album, the band had produced enough material for a double album. It was decided that half of the songs were to be released, and the band would continue to work on the remaining songs and release them the following year. This resulted in the follow-up album, ReLoad. The cover was created by Serrano, this time using a mixture of blood and urine.[36] ReLoad peaked at number one on theBillboard 200, and number two on the Top Canadian Album chart.[14] Hetfield noted in the 2004 documentary film Some Kind of Monster that the songs on these albums were initially thought by the band to be of average quality, and were "polished and reworked" until judged to be releasable.[38] To promote ReLoad, Metallica performed on NBC's Saturday Night Live in December 1997, performing "Fuel" and "The Memory Remains" with Marianne Faithfull.[39] In 1998, Metallica compiled a double album of cover songs titled Garage Inc.. The first disc contained newly recorded covers by bands such as Diamond Head, Killing Joke, The Misfits, Thin Lizzy, Mercyful Fate, and Black Sabbath. The second disc featured the original The $5.98 E.P.: Garage Days Re-Revisited, which had become a scarce collectors' item. The album entered the Billboard 200 at number two.[39][40] On April 21 and April 22, 1999, Metallica recorded two performances with the San Francisco Symphony Orchestra conducted by Michael Kamen. Kamen, who had previously worked with producer Rock on "Nothing Else Matters", approached the band in 1991 with the idea of pairing Metallica's music with a symphony orchestra. Kamen and his staff of over 100 composed additional orchestral material for Metallica songs. Metallica wrote two new Kamen-scored songs for the event, "No Leaf Clover" and "-Human". The audio recording and concert footage were released in 1999 as the album and concert film S&M. It entered theBillboard 200 at number two, and the Australian ARIA charts and Top Internet Albums chart at number one.[14] Napster controversy (2000–2001)In 2000, Metallica discovered that a demo of its song "I Disappear", which was supposed to be released in combination with the Mission: Impossible II soundtrack, was receiving radio airplay. Tracing the source of the leak, the band found the file on the Napster peer-to-peer file-sharing network, and also found that the band's entire catalogue was freely available.[41] Legal action was initiated against Napster with Metallica filing a lawsuit at the U.S. District Court, Central District of California, alleging that Napster violated three areas of the law: copyright infringement, unlawful use of digital audio interface device, and the Racketeer Influenced and Corrupt Organizations Act.[25][42]  Ulrich led the case against Napster Though the lawsuit named three universities for copyright infringement, the University of Southern California, Yale University, and Indiana University, no individuals were named. Yale and Indiana complied and blocked the service from its campuses, and Metallica withdrew the universities' inclusion in the lawsuit.[43] Southern California, however, had a meeting with students to figure out what was going to happen with Napster. School administrators wanted it banned as its usage accounted for 40% of the bandwidth not being used for educational purposes.[44] Metallica hired online consulting firm NetPD to monitor the Napster service for a weekend. A list of 335,435 Napster users who were believed to be sharing Metallica's music was compiled, and the 60,000 page document was delivered to Napster's office as Metallica requested the users be banned from the service.[45] The users were banned, and rap artistDr. Dre joined the lawsuit against Napster, which resulted in an additional 230,142 Napster users banned.[46] Ulrich provided a statement to the Senate Judiciary Committee regarding copyright infringement on July 11, 2000.[41] Federal Judge Marilyn Hall Patel ordered the site place a filteron the program in 72 hours or be shut down.[47] A settlement was reached between Metallica and Napster when German media conglomerate Bertelsmann AG BMG showed interest to purchase the rights to Napster for $94 million. Under the terms of settlement, Napster agreed to block users who shared music by artists who do not want their music shared.[48] However, on June 3, 2002 Napster filed for Chapter 11 protection under U.S. bankruptcy laws. On September 3, 2002, an American bankruptcy judge blocked the sale to Bertelsmann and forced Napster to liquidate its assets according to Chapter 7 of the U.S. bankruptcy laws.[49] At the 2000 MTV Video Music Awards, Ulrich appeared in a skit with host Marlon Wayans that blasted the idea of using Napster to share music. Marlon played a college student sitting in his dorm room listening to Metallica's "I Disappear". Ulrich walked in and asked for an explanation. On receiving Wayans' excuse that using Napster was just "sharing", Lars retorted that Marlon's idea of sharing was "borrowing things that were not yours without asking." He called in the Metallica road crew, who proceeded to confiscate all of Wayans' belongings, leaving him almost nude in an empty room. Napster creator Shawn Fanning responded later in the ceremony by presenting an award wearing a Metallica shirt, saying, "I borrowed this shirt from a friend. Maybe, if I like it, I'll buy one of my own."[50] Newsted's departure and St. Anger (2001–2005)As plans were being made to enter the recording studio, Newsted left the band on January 17, 2001. His statement revealed his departure was based on "private and personal reasons, and the physical damage I have done to myself over the years while playing the music that I love."[51] During a Playboy interview with Metallica, Newsted revealed intentions he wanted to release an album with his side project, Echobrain. Hetfield was against the idea and said, "When someone does a side project, it takes away from the strength of Metallica" and a side project is "like cheating on your wife in a way".[25] Newsted countered his statement by saying Hetfield recorded vocals for a song in the film South Park: Bigger, Longer & Uncut, and appears on two Corrosion of Conformity albums. Hetfield replied, "My name isn't on those records. And I'm not out trying to sell them", and pondered questions such as, "Where would it end? Does he start touring with it? Does he sell shirts? Is it his band?"[25]  Robert Trujillo was announced as Metallica's new bassist on February 24, 2003 In April 2001, filmmakers Joe Berlinger and Bruce Sinofsky began following Metallica to document the recording process of the next studio album. Over two years, more than 1,000 hours of footage was recorded. On July 19, 2001, before preparations to enter the recording studio, Hetfield entered rehab due to "alcoholism and other addictions". All recording plans were put on hiatus and the band's future was in doubt.[52] However, when Hetfield returned on December 4, 2001, the band returned to the recording studio and Hetfield was required to work four hours a day, noon to 4 PM, and spend the rest of his time with his family. The footage recorded by Berlinger and Sinofsky was compiled into the documentary, Some Kind of Monster, which premiered at the Sundance film festival. In the documentary, Newsted described his former bandmates' decision to hire a therapist to help solve their problems which they could have solved on their own as "really fucking lame and weak".[38] Metallica held auditions for Newsted's permanent replacement in early 2003, after St Anger 's completion, for which Bob Rock recorded bass. Bassists that auditioned includedPepper Keenan, Jeordie White, Scott Reeder, Eric Avery, Danny Lohner, and Chris Wyse. Following three months of auditions, Robert Trujillo, formerly of Suicidal Tendencies andOzzy Osbourne's band, was chosen as the new bassist.[38] As Metallica moved on, Newsted joined Canadian thrash metal band Voivod in 2002, and was Trujillo's replacement in Osbourne's band during the 2003 Ozzfest tour, which included Voivod as part of the touring bill.[53] In June 2003, Metallica's eighth studio album, St. Anger, debuted at number one on the Billboard 200, and drew mixed reaction from critics.[54] Ulrich's "steely" sounding snare drum, and the absence of guitar solos received particular criticism.[54] Kevin Forest Moreau of Shakingthrough.net commented that "the guitars stumble in a monotone of mid-level, processed rattle; the drums don't propel as much as struggle to disguise an all-too-turgid pace; and the rage is both unfocused and leavened with too much narcissistic navel-gazing",[55] and Brent DiCrescenzo of Pitchfork Media described it as "an utter mess".[56] However, Blender magazine called it the "grimiest and grimmest of the band's Bob Rock productions", and New York Magazine called it "utterly raw and rocking".[54] The title track, "St. Anger", won the Grammy Award for Best Metal Performance in 2004, and was used as the official theme song for WWE's SummerSlam 2003.[57] Before the band's set at the 2004 Download Festival in England, Ulrich was rushed to hospital with a mysterious illness, and was unable to perform.[58] Hetfield searched for volunteers at the last minute to replace Ulrich. Slayer drummer Dave Lombardo, and Slipknot drummer Joey Jordison volunteered. Lombardo performed the songs "Battery" and "The Four Horsemen", Ulrich's drum technician Flemming Larsen performed "Fade to Black", with Jordison performing the remainder of the set.[58] Having toured for two years in support of St. Anger on the Summer Sanitarium Tour 2003 and the Madly in Anger with the World tour, with multi-platinum rockers Godsmack in support, Metallica took a break from performing and spent most of 2005 with friends and family. However, for two shows on November 13, 2005, and November 15, 2005, Metallica opened for The Rolling Stones at AT&T Park in San Francisco.[59] Death Magnetic (2006 onward) Hammett performing live in 2007 In December 2006, Metallica released a DVD containing all the music videos from 1989 to 2004. The DVD, titled The Videos 1989–2004, sold 28,000 copies in its first week, and entered the Billboard Top Videos chart at number three.[60] Metallica recorded a cover of Ennio Morricone's "The Ecstasy of Gold" for a tribute album titled We All Love Ennio Morricone, released in February 2007. The cover received a Grammy nomination at the 50th Grammy Awards for the category "Best Rock Instrumental Performance".[61] A recording of "The Ecstasy of Gold" has been played as the introduction for Metallica performances since the 1980s. However, this new version features the band itself performing the piece, giving a new guitar-based interpretation to the music.[62] In 2006, Metallica announced on its official website that after 15 years, long-time producer Bob Rock was stepping down and would not be producing Metallica's next studio album. Metallica chose to work with producer Rick Rubin, who has produced albums for the bands Danzig, Slayer, Slipknot and System of a Down.[63] Metallica set the release date for the album Death Magnetic as September 12, 2008, and they filmed a music video for the first single "The Day That Never Comes". On September 2, 2008, a French record store began selling copies of Death Magnetic nearly two weeks ahead of its scheduled worldwide release date,[64] which resulted in the album being made available on peer-to-peer clients. This prompted the band's United Kingdom distributor, Vertigo Records, to officially release the album two days ahead of schedule, on September 10, 2008. It is currently unconfirmed whether Metallica or Warner Bros. will be taking any action against the retailer, though drummer Lars Ulrich has made such responses to the leak as, "…We're ten days from release. I mean, from here, we're golden. If this thing leaks all over the world today or tomorrow, happy days. Happy days. Trust me,"[65] and, "By 2008 standards, that's a victory. If you'd told me six months ago that our record wouldn't leak until 10 days out, I would have signed up for that."[66] Death Magnetic debuted at number one in several countries to make it top the Australian, Canadian, Mexican[citation needed] and European album chart. Selling 490,000 units in the United States to debut at number one, Metallica became the first band to have five consecutive studio albums debut at number one in the history of the Billboard 200.[67] After a week of its release, Death Magnetic remained at number one on theBillboard 200, the European album chart, and became the fastest selling album in Australia for 2008.[68]  Kirk Hammett and James Hetfield performing in London in 2008 Death Magnetic stayed at number one on the Billboard 200 album chart for three consecutive weeks. Metallica became the only artist, aside from Jack Johnson with the release of the album Sleep Through the Static, to remain on the Billboard 200 for three consecutive weeks at number one in 2008. Death Magnetic had also remained at number one on Billboard's Hard Rock, Modern Rock/Alternative and Rock album charts for five consecutive weeks. Internationally, the album peaked at number one in 32 countries including the United Kingdom, Canada, and Australia.[69] Death Magnetic is a return by Metallica to their mid-eighties heavy/thrash metal roots.[70][71] It is more similar to Master of Puppets and ...And Justice for All rather than their more recent albums. Since this album's success, MTV Europe nominated Metallica in two categories (Rock Out and Headliner) of their Music Awards edition and also MTV Latin America invited them to perform in their Music Awards edition.[72] Metallica performed "The Day That Never Comes." On October 21, 2008, Metallica started their World Magnetic Tour. In November 2008, Metallica came to the end of their record deal with Warner Bros., and the band is now considering their options for the future and, according to Ulrich, one of their options is to release their next album through the internet.[73] Recently, James Hetfield and Kirk Hammett were added to "Chop Shop's" list of "Top 100 Most Complete Guitar Players of All Time" at number fourteen and twenty-six, respectively.[74] On January 14, 2009, it was announced that Metallica would be inducted into the Rock and Roll Hall of Fame on April 4, 2009,[75] and that former bassist Jason Newsted (who left the band in 2001), would perform with the band at the ceremony.[76] Initially, it was announced that the matter had been discussed, and that current bassist Robert Trujillo had agreed not to play, as he "wanted to see the Black Album band".[77]However, during the band's set of "Master of Puppets" and "Enter Sandman", both Trujillo and Newsted were on stage.[78] Ray Burton, the father of late bassist Cliff Burton accepted the honor on his behalf. Metallica also invited Dave Mustaine to take part in the induction ceremony, but he declined, citing his touring commitments in Europe.[79] On May 27, 2009, it was announced on Metallica's website that a new live DVD will be filmed at the Mexico City, Mexico and Nimes, France shows.[80] The Nimes concert will be released as Francais Pour Une Nuiton October 19, 2009. [81] In a June 2009 interview with Italy's Rock TV, Ulrich stated that Metallica plans to continue touring through August 2010. He also stated that there are currently no plans for a tenth album, but is sure that they are going to do one with Rick Rubin again.[82] Style and lyrical themesInfluenced by early heavy metal and hard rock bands such as Black Sabbath, Deep Purple, and Led Zeppelin and New Wave of British Heavy Metal bands such asVenom, Motörhead, Diamond Head, Judas Priest, and Iron Maiden, early Metallica releases contained fast tempos, harmonized leads, and nine-minute instrumentals. Steve Huey of Allmusic said that Ride the Lightning featured "extended, progressive epics; tight, concise groove-rockers".[83] Huey felt Metallica expanded its compositional technique and range of expression to take on a more aggressive approach in following releases, and lyrics dealt with more personal and socially conscious issues.[83] Lyrical themes explored on Master of Puppets included religious and military leaders, rage, insanity, monsters, and drugs.[84] In 1991, with new producer Bob Rock, Huey felt Metallica simplified and streamlined its music for a more commercial approach to appeal to the mainstream audience.[85] The band abandoned its aggressive, fast tempos to expand its music and expressive range, said Robert Palmer of Rolling Stone.[86] The change in direction proved commercially successful as Metallica was the band's first album to peak at number one on the Billboard 200. Metallica noticed changes to the rock scene created by the grunge movement of the early 1990s. In what has been described as "an almost alternative [rock]" approach, the band focused on non-metal influences and changed musical direction.[87] Moving away from lyrical themes dealing with drugs and monsters, Metallica's new lyrical approach focused on anger, loss, and retribution. Some fans and critics were not pleased with this change, which included haircuts, the cover of Load, and headlining the alternative rock concertLollapalooza.[37] David Fricke of Rolling Stone described the move as "goodbye to the moldy stricture and dead-end Puritanism of no-frills thrash" and called Load the heaviest record of 1996.[37] With the release of ReLoad in 1997, the band displayed more blues and early hard rock influences, incorporating more rhythm andharmony in song structures.[87] St. Anger marked another large change in the band's sound. Bored with guitar solos, Ulrich chose to omit them from the album, leaving a "raw and unpolished sound".[54] The band used drop C tuning, and Ulrich's snare drum received particular criticism. New York Magazine's Ethan Brown noted it "reverberates with a thwong". Lyrics on the album dealt with Hetfield's stint in rehab, including references to the devil, anti-drug themes, claustrophobia, impending doom, and religioushypocrisy.[88][89] At the advice of producer Rick Rubin, for their ninth studio album, Death Magnetic, the band returned to E tuning and guitar solos, and adapted Middle Eastern influences.[90] Legacy and influenceMetallica has become one of the most influential heavy metal bands, and is credited as one of the "big four" of thrash metal, along with Slayer, Anthrax, and Megadeth.[1] The band has sold more than 90 million records worldwide,[91] including 57 million in the United States, which makes Metallica the most commercially successful thrash metal band.[3] The writers of The Rolling Stone Encyclopedia of Rock & Roll felt Metallica gave heavy metal "a much-needed charge".[92] Stephen Thomas Erlewine and Greg Prato of Allmusic said Metallica, "expanded the limits of thrash, using speed and volume not for their own sake, but to enhance their intricately structured compositions", calling the band "easily the best, most influential heavy metal band of the '80s, responsible for bringing the music back to Earth."[85] Jonathan Davis of Korn respects Metallica as his favorite band and comments, "I love that they've done things their own way and they've persevered over the years and they're still relevant to this day. I think they're one of the greatest bands ever."[93] Godsmack drummer Shannon Larkin said Metallica has been the biggest influence on the band stating, "they really changed my life when I was 16 years old - I’d never heard anything that heavy."[94] Vocalist and guitarist Robb Flynn of Machine Head said that when creating the band's 2007 album, The Blackening, "What we mean is an album that has the power, influence and epic grandeur of that album [Master of Puppets] – and the staying power - a timeless record like that".[95] Trivium guitarists Corey Beaulieu and Matt Heafy said that when they heard Metallica they wanted to start playing guitar.[96][97] M Shadows of Avenged Sevenfold stated touring with Metallica was the band's career highlight, and said "Selling tons of records and playing huge shows will never compare to meeting your idols [Metallica]."[98] God Forbid guitarists Doc and Dallas Coyle grew up with Metallica as an inspiration, and the band's bassist John Outcalt admires Burton as a "rocker".[99] Ill Niño drummer Dave Chavarri finds early Metallica releases as "heavy, raw, rebellious. It said, 'fuck you'",[100] and Adema drummer Kris Kohls says the band is influenced by Metallica.[101] Kerrang! released a tribute album with the April 8, 2006, edition of the magazine, titled Master of Puppets: Remastered, which celebrated the 20-year anniversary of Master of Puppets. The album featured cover versions of Metallica songs by the bands Machine Head, Bullet for My Valentine, Chimaira, Mastodon, Mendeed, and Trivium, all who are influenced by Metallica. Over 15 Metallica tribute albums have been released. On September 10, 2006, Metallica guest starred on The Simpsons' eighteenth season premiere "The Mook, the Chef, the Wife and Her Homer",[102] and Hammett's and Hetfield's voices were used in three episodes of the animated television series Metalocalypse.[103] Finnish cello metal band Apocalyptica released a tribute album, Plays Metallica by Four Cellos, which featured eight Metallica songs recorded with cellos. A parody band named Beatallica plays music using a combination of The Beatles and Metallica songs. Beatallica faced legal troubles when the Sony Corporation, who own The Beatles' catalogue, ordered a cease-and-desist claiming "substantial and irreparable injury"—ordering the group to pay damages. A fan of Beatallica, Ulrich asked Metallica lawyer Peter Paterno to help settle the legal case.[104] Metallica was ranked by MTV as the third "Greatest Heavy Metal Band in History",[93] was listed fifth on VH1's 100 Greatest Artists of Hard Rock,[105] and was number one on VH1's 20 Greatest Metal Bandslist.[106] Master of Puppets was ranked number 167 on Rolling Stone's "500 Great Albums of all time", and Metallica was number 252.[107] Master of Puppets was named in Q Magazine's "50 Heaviest Albums Of All Time",[108] ranked number one on IGN's "Top 25 Metal Albums",[109] and number one on the Metal-rules.com "Top 100 Heavy Metal Albums" list.[110] The song "Enter Sandman" was ranked number 399 on Rolling Stone's "500 Greatest Songs of All Time".[111] On March 7, 1999, Metallica was inducted into the San Francisco Walk of Fame. The mayor of San Francisco, Willie Brown, proclaimed the day "Official Metallica Day".[112] Metallica was awarded the MTV Iconaward in 2003, and a concert was held paying tribute to the band with artists performing Metallica songs. Performances included Sum 41 with a medley of "For Whom the Bell Tolls", "Enter Sandman", and "Master of Puppets". Staind covered "Nothing Else Matters", Avril Lavigne played "Fuel", hip-hop artist Snoop Dogg performed "Sad But True", Korn played "One", and Limp Bizkit performed a rendition of "Welcome Home (Sanitarium)".[113] The popular Guitar Hero series added many of Metallica's songs into their games. The first instance was Guitar Hero III when "One" was a track in the game. In the sequel, Guitar Hero: World Tour, the song "Trapped Under Ice" was used. Eventually in 2009, Metallica collaborated to make Guitar Hero: Metallica, in which several of Metallica's songs were included. Harmonix's Rock Band series included "Enter Sandman," with "Ride the Lightning," "Blackened," and "...And Justice For All" released as downloadable songs. Later in the sequel game, Rock Band 2, Metallica's song "Battery" was used. AwardsGrammy Awards:[57] MTV Video Music Awards: American Music Awards: - 1996: Favorite Artist: Heavy Metal/Hard Rock: Metallica – Load
- 1996: Favorite Metal/Hard Rock Song – "Until It Sleeps"
Billboard Music Awards: - 1997: Billboard Rock and Roll Artist of the Year – Metallica (RIAA Diamond Award)
- 1999: Catalogue Artist of the Year – Metallica
- 1999: Catalogue Album of the Year – Metallica
Kerrang! Awards: - 2003: Hall of Fame – Metallica
Band members- Current members
| - Former members
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The Scorpions are a heavy metal[1][2][3][4]/hard rock[5][6][7] band from Hanover, Germany, probably best known for their 1980s rock anthem "Rock You Like a Hurricane" and their singles "No One Like You", "Send Me an Angel, "Still Loving You", and "Wind of Change". The band has sold over 75 million albums worldwide[8]and were ranked #46 on VH1's Greatest Artists of Hard Rock program.[9] Formation and early history (1965-1973)History
Rudolf Schenker, the band's rhythm guitarist launched the band in 1965. At first, the band had beat influences and Schenker himself did the vocals. Things began to come together in 1969 when Schenker's younger brother Michael and vocalist Klaus Meine joined the band. In 1972, the group recorded and released their debut albumLonesome Crow, with Lothar Heimberg on bass and Wolfgang Dziony on drums. During the Lonesome Crow tour, the Scorpions opened for upcoming British band UFO. Near the end of the tour, the members of UFO offered guitarist Michael Schenker the lead guitar job; an offer which he soon accepted. Uli Roth, a friend of the Schenker brothers, was then called in temporarily to finish off the tour. The departure of Michael Schenker led to the breakup of the band. In 1973, Uli Roth, who had helped the Scorpions complete the Lonesome Crow tour, was offered the role as lead guitarist, but turned the band down, preferring instead to remain in the band Dawn Road. Schenker eventually decided that he wanted to work with Roth, but did not want to resurrect the last Scorpions lineup. He attended some of Dawn Road's rehearsals and ultimately decided to join the band, which consisted of Roth, Francis Buchholz (bass), Achim Kirschning (keyboards) and Jürgen Rosenthal (drums). Roth and Buchholz persuaded Rudolf Schenker to invite Klaus Meine to join, which he soon did. While there were more members of Dawn Road than Scorpions in the band, they decided to use the Scorpions name because it was well-known in the German hard rock scene and an album had been released under that name.[10] Rise to fame (1974-1978)In 1974 the new line-up of Scorpions released Fly to the Rainbow. The album proved to be more successful than Lonesome Crow and songs such as "Speedy's Coming" and the title track began to establish the band's sound. Achim Kirschning decided to leave after the recordings. Soon after, Jürgen Rosenthal had to leave as he was being drafted into the army. Later, in 1976, he would join a German progressive rock band called Eloy and record three albums with them. He was replaced by a Belgian drummer, Rudy Lenners. In 1975 the band hit their stride with the release of In Trance, which marked the beginning of Scorpions' long collaboration with German producer Dieter Dierks. The album was a huge step forward for Scorpions and firmly established their hard rock formula, while at the same time garnering a substantial fan base, both at home and abroad. Cuts such as "Dark Lady", "Robot Man" and the title track are still considered classics by fans today. In 1976, Scorpions released Virgin Killer. The album's cover featured a nude prepubescent girl covered with broken glass. The cover art was designed by Stefan Bohle who was the product manager for RCA Records[11], their label at the time. The cover brought the band considerable criticism and was pulled or replaced in several countries. Despite the controversy, the album itself garnered significant praise for its music from critics and fans alike. The following year, Rudy Lenners resigned due to health reasons and was replaced by Herman Rarebell. For the follow-up Taken by Force, RCA Records made a determined effort to promote the album in stores and on the radio. The album's single, "Steamrock Fever", was added to some of RCA's radio promotional records. Roth was not happy with the commercial direction the band was taking. Although he performed on the band's Japan tour, he departed to form his own band, Electric Sun prior to the release of the resultant double live album Tokyo Tapes. Tokyo Tapes was released in the US and Europe six months after its Japanese release. By that time in mid 1978, after auditioning around 140 guitarists, Scorpions recruited new guitarist Matthias Jabs. Commercial success (1979-1990)Following the addition of Jabs, Scorpions left RCA for Mercury Records to record their next album. Just weeks after being evicted from UFO for his alcohol abuse, Michael Schenker also returned to the group for a short period during the recordings for the album. This gave the band three guitarists (though Schenker's contribution to the final release was limited to only three songs). The result was Lovedrive, an album which some critics consider to be the pinnacle of their career.[12] Containing such fan favorites as "Loving You Sunday Morning", "Always Somewhere", "Holiday" and the instrumental "Coast to Coast", the 'Scorpions formula' of hard rock songs mixed with melodic ballads was firmly cemented. The album's provocative artwork was named "Best album sleeve of 1979" by Playboy magazine though it was ultimately changed for American release. Lovedrive peaked at #55 on the US charts proving that Scorpions were gathering an international following. After the completion and release of the album, the band decided to retain Michael in the band, thus forcing Jabs to leave. However after a few weeks of the tour, Michael, still coping with alcoholism, missed a number of gigs and at one point collapsed on stage and Jabs was brought back to fill in for him on those occasions when he could not perform. In April, 1979, during their tour in France, Jabs was brought in permanently to replace Michael. In 1980, the band released Animal Magnetism, again with a provocative cover, this time showing a girl kneeling in front of a man. Animal Magnetism contained classics such as "The Zoo" and "Make It Real". Soon after the album's release, Meine began experiencing throat problems. He required surgery on his vocal cords and doubts were raised about whether he would ever sing again. Meanwhile, the band began working on their next album, Blackout in 1981. Don Dokken was brought in to provide guide and backing vocals while Meine recovered.[13] Meine eventually healed completely and was able to finish the album. Blackout was released in 1982 and quickly became the band's best selling to date, eventually going platinum. Meine's voice showed no signs of weakness and critical response to the album was good. Blackout spawned three hit singles: "Dynamite," "Blackout" and "No One Like You". It was not until 1984 and the release of Love at First Sting that the band finally cemented their status as rock superstars. Propelled by the single "Rock You Like a Hurricane",Love at First Sting climbed the charts and went double platinum in the USA a few months after its release. However, Scorpions did manage to stir up controversy once again with their provocative album cover. This time it was a man kissing a woman while at the same time planting a tattoo on her naked thigh, mimicking a gag from the satire movieThis Is Spinal Tap that was released the same year. Some stores refused to sell the album. MTV gave the album's videos "Rock You Like a Hurricane", "Bad Boys Running Wild", "Big City Nights", and the power ballad "Still Loving You" significant airtime, greatly contributing to the album's success. The channel even supplied Scorpions with the nickname "The Ambassadors of Rock". The band toured extensively behind Love at First Sting and decided to record and release their second live album, World Wide Live in 1985. Recorded over a year-long world tour and released at the height of their popularity, the album was another success for the band, peaking at #14 in the charts in the US and at #18 in the UK. After their extensive world tours, the band finally returned to the studio to record Savage Amusement. Released in 1988, four years after their previous studio album, Savage Amusement represented a more polished pop sound similar to the style Def Leppard had found success with. The album sold well, but was considered somewhat of a critical disappointment. However, British heavy rock magazine Kerrang! did award the album five K's out of five. On the Savage Amusement tour in 1988, Scorpions became only the second Western group to play in the Soviet Union (the first being Uriah Heep in December, 1987), with a performance in Leningrad. The following year the band returned to perform at the Moscow Music Peace Festival. As a result, Scorpions developed a strong Russian fan base and still return regularly to perform throughout the area.[14] Wishing to distance themselves from the Savage Amusement style, the band separated from their long-time producer and "Sixth Scorpion," Dieter Dierks, replacing him with Keith Olsen when they returned to the studio in 1990. Crazy World was released that same year and displayed a less polished sound. The album was a hit, propelled in large part by the massive success of the ballad "Wind of Change". The song muses on the socio-political changes that were occurring in Eastern Europe and in other parts of the world at the end of the Cold War. On July 21, 1990 they joined many other guests for Roger Waters' massive performanceof The Wall in Berlin. Scorpions performed both versions of "In the Flesh" from The Wall. After the Crazy World tour Francis Buchholz, the band's long-serving bassist, left the group. Later days (1993-present)In 1993, Scorpions released Face the Heat. Bass was handled by Ralph Rieckermann. For the recording process, Scorpions brought in producer Bruce Fairbairn. The album's sound was more metal than melodic and divided the band's fan base somewhat. Many "headbangers" responded positively to the album while many longtime fans were put off. Neither the hard rock single "Alien Nation" nor the ballad "Under The Same Sun" came close to matching the success of "Wind of Change". Face the Heat was a moderate success. In 1995, a new live album, Live Bites, was produced. The disc documented live performances from their Savage Amusement Tour in 1988, all the way through the Face the Heat Tour in 1994. While the album had a much cleaner sound in comparison to their best-selling live album, World Wide Live, it was not as successful. Prior to recording their 13th studio album, 1996s Pure Instinct, drummer Herman Rarebell left the band to set up a recording label. Curt Cress took charge of the drumsticks for the album before Kentucky-born James Kottak took over permanently. Many feel Pure Instinct is a response to the complaints levied against Face the Heat. The album had many ballads. Still, the album's singles "Wild Child" and the soothing ballad "You and I" both enjoyed moderate success. 1999 saw the release of Eye II Eye and a significant change in the band's style, mixing in elements of pop and techno. While the album was slickly produced, fans were unsure what to make of the band, responding negatively to almost everything from pop-soul backup singers to the electronic drums present on several songs. The video to the album's first European single, "To Be No. 1," featured a Monica Lewinsky look-alike which did little to improve its popularity. The following year, Scorpions had a fairly successful collaboration with the Berlin Philharmonic that resulted in a 10-song album named Moment of Glory. The album went a long way toward rebuilding the band's reputation after the harsh criticism of Eye II Eye. However, critics accused them of following on the coattails of Metallica's similar collaboration (S&M) with the San Francisco Symphony which had been released the previous year, even though the orchestra had first approached Scorpions with the idea in 1995. In 2001, Scorpions released Acoustica, a live unplugged album featuring acoustic reworkings of the band's biggest hits, plus new tracks. While appreciated by fans, the lack of a new studio album was frustrating to some, and Acoustica did little to return the band to the spotlight. In 2004, the band released Unbreakable, an album that was hailed by critics as a long-awaited return to form. The album was the heaviest the band had released since Face the Heat, and fans responded well to tracks such as "New Generation", "Love 'em or Leave 'em" and "Deep and Dark". Whether a result of poor promotion by the band's label or the long time between studio releases, Unbreakable received little airplay and did not chart. Scorpions toured extensively behind the album and played as 'Special Guests' withJudas Priest during the 2005 British tour - these were the Scorpions first dates in the UK since 1999. In early 2006, Scorpions released the DVD 1 Night in Vienna that included 14 live tracks and a complete rockumentary. In LA, the band spent about four months in the studio with producers James Michael and Desmond Child working on their new concept album titled Humanity: Hour I, which was released in late May 2007.[15] Followed by the "Humanity World Tour". In 2007, the band saw two of their signature tracks featured in the popular video game series, "Guitar Hero." "No One Like You" was featured on the "Rocks the '80s" version of the game while "Rock You Like A Hurricane" was released on "Guitar Hero 3: Legends of Rock." On May 14, 2007, Scorpions released Humanity - Hour I in Europe. Humanity - Hour I became available in the U.S. on August 28 on New Door Records, entering the Billboard charts at number #63. In a September 2007 podcast interview, Meine said the new album wasn't so much a "concept album" as it was a collection of songs with a common theme. "We didn't want to make another record with songs about boys chasing girls. I mean, come on, give me a break," Meine said.[16] When asked if the band plans to release a Humanity - Hour II, Meine replied: | “ | That is what everybody is asking. There might be. Who knows? Right now we are at the beginning of the world tour. It is exciting to play the new songs and they go very well with the classics. It is exciting that there is a whole new audience out there. There are many longtime fans but there are a lot of young kids. We just played in London and in Paris and there were young kids rocking out to songs that were written way before they were born. It is amazing. I don’t want to think about Hour II right now because Hour I is so exciting. It is very inspiring to see how much the audience enjoys this new music. | ” | | | |
On December 20, 2007, Scorpions played at a concert for the elite of Russia’s security forces in the Kremlin. The concert celebrated the 90th anniversary of the founding of the Cheka - predecessor of the KGB. Members of the audience included President Vladimir Putin. On February 21, 2009, Scorpions received Germany's ECHO Honorary Award for lifetime achievement at Berlin's O2 World.[18] Band membersCurrent members- Klaus Meine - lead vocals, rhythm guitar, percussion, tambourine, backing vocals (1970-present)
- Matthias Jabs - lead & rhythm guitars (1978-present)
- Rudolf Schenker - rhythm & lead guitars, backing vocals, lead vocals on "They Need A Million", "Drifting Sun" (1965-present)
- Paweł Mąciwoda - bass, backing vocals (2003-present)
- James Kottak - drums, percussion, backing vocals (1996-present)
Former members- Lothar Heimberg - bass, backing vocals (1965-1973)
- Wolfgang Dziony - drums, percussion (1965-1973)
- Michael Schenker - lead & rhythm guitars (1970-1973, 1979)
- Ulrich Roth - lead & rhythm guitars, backing vocals, lead vocals on "Drifting Sun", "Fly to the Rainbow", "Dark Lady", "Sun in My Hand", "Hell Cat", "Polar Nights" (1973-1978)
- Francis Buchholz - bass, backing vocals (1973-1983, 1984-1992, 1994)
- Achim Kirschning - keyboards (1973-1974)
- Jürgen Rosenthal - drums, percussion (1973-1975)
- Rudy Lenners - drums, percussion (1975-1977)
- Herman Rarebell - drums, percussion (1977-1983, 1984-1995)
- Ralph Rieckermann - bass (1993-2000, 2000-2003)
- Curt Cress - drums, percussion (1996)
- Ken Taylor - bass (2000)
- Barry Sparks - bass (2004)
- Ingo Powitzer - bass (2004)
Manager- Stewart Young (1995-Present)
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